analog photography techniques
2002 | 26x20cm | sold

URSULA PHILADELPHY | On The Boarder Of Painting

“Sometimes, gasoline, chlorine, or emery paper is responsible for the uniquely haptic quality of the images, for example, the series „thisisnotgsus“. Here, Zink worked with „an eye for dissolution“, as he puts it. A face is fixed, and the changes that often take place in fragments of segments are captured: the first signs of a complete dissolution from which there is no escape.”

EXHIBITIONS | SELECTION | Lisi Hämmerle Gallery | Michaela Stock Gallery | Palais Thurn und Taxis | Academy Of Fine Arts